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John Cassavetes
Actor, Director, Writer
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One of the few guests
that Shep had on his show during the WOR years was John Cassavetes. He
appeared on or about February 14, 1957 to promote the film "Edge of the
City" in which he appeared. During the show they talked about a film
project that John wanted to do if only people would donate some money.
The "Night People" did and the movie was made and released as "Shadows"
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Playboy - July 1971 - Interview with John Cassavetes
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| "That night I was
going on Jean Shepherd's Night People radio show, because he had plugged
Edge of the City, which had just been released, and I wanted to thank
him for it. I told Jean about the piece we had done in class [an
improvisation in Cassavetes' acting class that would form the basis of
Shadows] and how it could be a good film and he asked if I thought I'd
be able to raise the money for it. 'If people really want to see a movie
about people,' I answered, 'they should just contribute money.' And the
next day, $2000 in dollar bills came in to Shepherd." |
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Cassavetes on Cassavetes
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by Ray Carney
Format: Paperback, 546pp.
ISBN: 0571201571
Publisher: Faber & Faber, Inc.
Pub. Date: July 2001
courtesy: Pete Delaney |
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BIRTH OF THE COOL - Beat, Bebop, and the American Avant-Garde
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BIRTH OF THE COOL - Beat, Bebop, and
the American Avant-Garde
by Lewis MacAdams.
Section title: THE AGE OF COOL.
Chapter title: STRUGGLING TO REMAIN COOL.
Beginning of chapter, page 223 |
In 1957, the actor John Cassavetes,
twenty-seven, went on Jean Shepherd’s Night People [sic] on WOR, the
hippest radio show in Manhattan, to publicize his new movie, a
pedestrian Martin Ritt policier called Edge of the City.
The New York-born son of a Greek immigrant
importer-exporter, the handsome, dark-eyed Cassavetes was already making
a name for himself playing edgy misfits and tightly torqued tough guys
in low-budget double-feature fodder like The Killers and Crime in the
Streets. Shepherd, a wildly improvisational radio monologist, was then
at the top of his game and he boasted a large and dedicated audience.
Shepherd’s flock responded enthusiastically when Cassavetes claimed that
he could make a better movie than Martin Ritt, and if they wanted to see
an alternative to the Hollywood mindset, they should send in money to
fund a project Cassavetes was creating in collaboration with his drama
workshop. Over the next few days, two
thousand dollars in bills and coins poured in.
A week later, Cassavetes started his
film,….Bass player Charles Mingus did the score. The final product was
titled Shadows.
courtesy: Gene Bergmann
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